Spirit of Liverpool - Henry Willis III

4 manual Henry Willis Organ

The base software must be installed and configured on your computer before installing this organ plug in.



Dual display mode with optional music library display (Mouse over to zoom)



Single display mode (Mouse over to zoom)



Suggested minimum computer specification

Windows 10 x64
i5 4th Generation Processor (or AMD equivalent)
16Gb RAM
128Gb Hard Drive (Ideally a solid state disk SSD)
Dedicated sound card (eg SoundBlasterZ) or USB external sound card


About this organ

This organ has been very carefully sampled by us from selected largely untouched Henry Willis organs of very similar vintage from Liverpool and the immediate surrounding area.

This organ is therefore a large composite organ made from more than one source organ, with a specification which takes it's influence from both the organ of St George's hall, Liverpool and Liverpool Anglican Cathedral.

The organs the ranks have been sampled from in their own right are very fine and well known instruments and would more than stand alone as a good virtual organ, however in this case we wanted to build something grander, so have combined the best of the ranks and specifications.

In particular, we wanted to be able to recreate the spirit of these two instruments but keep the organ at a size which still remains responsive in a virtual environment, so it was not practical to make a verbatim copy of either organ specification, nor replicate the shear number of stops!

Whilst this virtual organ is a 4 manual instrument, it is still possible to fully utilize all manuals from a console with less than four manuals.

24 Bit Stereo and 5.1 surround sound (Studio Quality). Ranks recorded between 2007 and 2019

Tuning 440Hz



Spirit of Liverpool - Henry Willis III - Specification


Stop ID Rank Stop Name
14'CLARION NO.2 4'
24'CLARION NO.1 4'
38'TRUMPET 8'
48'TROMBA 8'
58'TROMBONE 8'
616'CONTRA TROMBONE 16'
74 RanksMIXTURE IV'
85 RanksFOURNITURE V'
95 RanksSESQUI ALTERA V'
102 RanksDOUBLETTE II'
111 3/5'SEVENTEENTH 1 ³/5'
122'FIFTEENTH 2'
132 2/3'TWELFTH 2 ²/3'
143 1/5'TENTH 3 ¹/5'
154'FLUTE 4'
164'OCTAVE VIOLA 4'
174'PRINCIPAL 4'
184'OCTAVE 4'
195 1/3'QUINT 5 ¹/3'
208'STOPPED DIAPASON 8'
218'VIOLA 8'
228'VIOLIN DIAPASON 8'
238'NO.1 OPEN DIAPASON 8'
248'NO.2 OPEN DIAPASON 8'
2516'BOURDON 16'
2616'CONTRA DULCIANA 16'
2716'DBL OPEN DIAPASON 16'
2832'CONTRA VIOLONE 32'

Stop ID Rank Stop Name
404'CLARION NO.2 4'
414'CLARION NO.1 4'
428'HAUTBOIS 8'
438'TRUMPET 8'
448'TROMBA 8'
4516'TROMBONE 16'
4616'CONTRA POSAUNE 16'
478'OBOE 8'
488'CLARINET 8'
4916'CONTRA OBOE 16'
5016'CONTRA FAGOTTO 16'
514 RanksMIXTURE IV'
523 RanksMIXTURE III'
532 RanksDOUBLETTE II'
541 3/5'SEVENTEENTH 1 ³/5'
552'PICCOLO 2'
562'FIFTEENTH 2'
572 2/3'TWELFTH 2 ²/3'
584'ROHR FLUTE 4'
594'OCTAVE GEIGEN 4'
604'PRINCIPAL 4'
618'VOIX CELESTE 8'
628'VIOLON CELLO 8'
638'ROHR FLUTE 8'
648'NO.1 OPEN DIAPASON 8'
658'NO.2 OPEN DIAPASON 8'
6616'DBL OPEN DIAPASON 16'

Stop ID Rank Stop Name
1314'CLARION NO.1 4'
1328'TRUMPET 8'
1338'ORCHESTRAL OBOE 8'
13416'BASS CLARINET 16'
1358'CLARINET 8'
1368'BASSON 8'
1373 RanksSESQUI ALTERA III'
1388'TUBA MAGNA 8'
1391'PICCOLO 1'
1401 1/7'SEPTIÉME 1 ¹/7'
1411 1/3'LARIGOT 1 ¹/3'
1421 3/5'TIERCE 1 ³/5'
1432'FLAGEOLET 2'
1442'FIFTEENTH 2'
1452 2/3'NAZARD 2 ²/3'
1464'HARMONIC FLUTE 4'
1474'OCTAVE VIOLA 4'
1484'PRINCIPAL 4'
1498'VOX HUMANA 8'
1508'DULCIANA 8'
1518'STOPPED DIAPASON 8'
1528'ROHR FLUTE 8'
1538'VIOLA DA GAMBA 8'
1548'OPEN DIAPASON 8'
15516'CONTRA DULCIANA 16'

Stop ID Rank Stop Name
738'TRUMPET MILITAIRE 8'
748'TUBA MIRABILIS 8'
758'FRENCH HORN 8'
768'CORNOPEAN 8'
778'CORNO DI BASSETTO 8'
788'HAUTBOIS 8'
7916'WALD HORN 16'
8016'COR ANGLAIS 16'
812'HARMONIC PICCOLO 2'
827 RanksGRAND CHORUS VII'
834'LIEBLICH FLUTE 4'
848'ORCHESTRAL FLUTE 8'
858'VIOLA DA GAMBA 8'
868'VIOLA CELESTE 8'
878'CLARIBEL FLUTE 8'
888'LIEBLICH GEDACKT 8'
8916'QUINTATEN 16'

Stop ID Rank Stop Name
954'SHAWM 4'
938'CLARION 8'
9416'FRENCH HORN 16'
9616'FAGOTTO 16'
9816'OPHECLIDE 16'
9916'TROMBONE 16'
9732'CONTRA FAGOTTO 32'
10032'CONTRA TROMBONE 32'
10132'CONTRA BOMBARDE 32'
1023 RanksMIXTURE III'
1034 RanksMIXTURE IV'
1044'OCTAVE FLUTE 4'
1054'VIOLE 4'
1064'FIFTEENTH 4'
1075 1/3'OCTAVE QUINT 5 ¹/3'
10810 2/3'QUINT 10 ²/3'
1098'FLUTE 8'
1108'VIOLON CELLO 8'
1118'PRINCIPAL 8'
1128'OCTAVE 8'
11316'ECHO BASS 16'
11416'SALICIONAL 16'
11516'BOURDON 16'
11616'VIOLONE 16'
11716'OPEN DIAPASON 16'
11816'OPEN WOOD 16'
11932'DBL OPEN DIAPASON 32'
12032'CONTRA VIOLONE 32'
12132'DOUBLE OPEN WOOD 32'
12264'RESULTANT BASS 64'

Stop ID Stop Name
29Great - Great Super
30Great - Great Sub
31Great - Swell to Great 16'
32Great - Swell to Great 8'
33Great - Swell to Great 4'
34Great - Choir to Great 16'
35Great - Choir to Great 8'
36Great - Choir to Great 4'
37Great - Solo to Great 16'
38Great - Solo to Great 8'
39Great - Solo to Great 4'
67Swell - Swell Super
68Swell - Swell Sub
69Swell - Solo to Swell 16'
70Swell - Solo to Swell 8'
71Swell - Solo to Swell 4'
72Swell - Tremolo
156Choir - Choir Super
157Choir - Choir Sub
158Choir - Swell to Choir 16'
159Choir - Swell to Choir 8'
160Choir - Swell to Choir 4'
161Choir - Solo to Choir 16'
162Choir - Solo to Choir 8'
163Choir - Solo to Choir 4'
164Choir - Tremolo
90Solo - Solo Super
91Solo - Solo Sub
92Solo - Tremolo
123Pedal - Choir to Pedal 8'
124Pedal - Choir to Pedal 4'
125Pedal - Great to Pedal 8'
126Pedal - Great to Pedal 4'
127Pedal - Swell to Pedal 8'
128Pedal - Swell to Pedal 4'
129Pedal - Solo to Pedal 8'
130Pedal - Solo to Pedal 4'



Spirit of Liverpool - Henry Willis III - Audio samples


32 bit 6 Channel surround - Recorded directly by the software, no amp, no filters, just the file written by the software.

Download audio sample - Gigout - Grand Choeur Dialogue (32 bit x 6 channel surround) (349Mb)

Download audio sample - Johnson Trumpet tune in A (32 bit x 6 channel surround) (238Mb)

Download audio sample - Messian Dieu Parmi Nous (32 bit x 6 channel surround) (635Mb)

Download audio sample - Vierne Berceuse (32 bit x 6 channel surround) (278Mb)


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Spirit of Liverpool - Henry Willis III
£195.00
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Donations and payments

This company is run and operated by volunteers, who take no salary or drawings of any kind. Donations and small charges for some sample sets, allow us to continue to maintain this software, provide equipment and helps cover the costs of new sample set production. Sample sets can be quite expensive to produce in terms of time, money and patience, however we keep these costs to a minimum so that as much as possible from proceeds is available to be donated to the recipient organ fund.

Naturally, we also ensure a large proportion of the proceeds from sample sets, goes back to support that organ. In some cases this is 100% of the proceeds.

All surplus proceeds will be split equally between all organ funds we are currently supporting, on an annual basis
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This project is largely driven by user requests and feedback so your views are really important to us.

If you find something not working or you don't like, please come and talk to us first, as the chances are we can probably do something about your issue quickly.

Almost every issue encountered by users so far has had a resolution, so please don't be shy. We are only as good as the feedback we get!!

As this software is under a constant release cycle of regular updates, you may be surprised at how quickly we are able to incorporate all feedback received.


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